The Society Nam brings “The Hip Hop Floor” to Windhoek
Hip hop unity amplified
A sonic storm is set to hit the capital this weekend as Speedsta and Friends presents The Hip Hop Floor makes its Namibian debut. The event, happening on Saturday, 11 October at 4 Kepler Street from 15:00 until midnight, will see South African heavyweights like DJ Speedsta and K.O share the stage with Namibia’s own hip hop stars — Emmanuel Rose, DJ Musketeer, Solange, DJ Fredy, Bizza, and DJ Wilson.
Originating from Johannesburg, The Hip Hop Floor has earned a reputation for spotlighting hip hop in its purest form — rhythm, lyricism, and attitude. This Namibian edition is powered by The Society Nam, the creative collective known for curating distinctive cultural experiences. Speaking to Network Media Hub, Tall Ass Nico from The Society Nam explained that the line-up was crafted with intention and balance in mind.
“We didn’t pull this line-up out of a hat,” he said. “These are the acts who have been consistently pushing hip hop culture. K.O is a legend, dropping classics since the early 2000s and still running the game today. Speedsta has three DJ of the Year titles in SA and is a staple on every big stage. Pair that with local fire like Emmanuel Rose, Solange, Musketeer, Fredy, Bizza, and Wilson — who have been carrying the hip hop sound in Namibia — and you get a mix of icons and rising voices. It’s about the balance between proven heavyweights and our homegrown heroes.”
Nico describes the upcoming experience as “premium hip hop energy.” “It’s not just another gig, it’s curated,” he explained. “From the music to the production, we’re making it feel like a proper cultural moment. Expect vibes that are raw enough for hip hop heads but dressed up in a way that feels luxe and fresh. HHF is something different — and that’s what we specialise in at The Society. We noticed it with Strictly Soul too. People crave different experiences, not always the same thing. Without saying too much, there are some surprises lined up.”
For The Society Nam, connection is a central part of their ethos. While K.O will have limited time in Namibia due to commitments back in South Africa, Nico said the team is making space for genuine creative exchanges. “One thing about The Society — we’re all about connection. K.O will be in and out quickly, but we’ll make sure there’s room for artists to meet, share energy, and maybe spark something. Speedsta is more open to vibing with local talent on the decks. We’re not forcing collabs, but we’re creating the space for them to happen naturally. Those kinds of links are crucial because they put Namibian talent in rooms they’d usually have to fly to Joburg to access.”
When reflecting on the current state of Namibian hip hop, Nico was optimistic. “Nam hip hop is alive,” he said. “You hear it in the slang, the fashion, the confidence. Every festival you pull up at, there’s always a hip hop DJ somewhere on the line-up. Even genres like amapiano and house borrow the swag, the aura, and the storytelling from hip hop culture. The genre might not always dominate charts, but it runs the culture. Events like this prove that hip hop isn’t niche here, it’s woven into how people show up and express themselves.”
For Nico and The Society Nam, The Hip Hop Floor is about more than just a night of music, it’s about legacy. “We’re not throwing a party just for the night; we’re trying to shift the standard,” he emphasised. “Hip hop artists here need platforms that are premium, consistent, and respected. If this event opens the door for more collaborations with South African acts, or inspires local promoters to treat hip hop with the same love they give other genres, then we’ve done our job. Long term, I want people to look back and say The Hip Hop Floor was the spark that showed Namibian hip hop it belongs on a global stage.”
With a line-up that bridges two countries and generations of talent, The Hip Hop Floor is shaping up to be more than just a concert — it’s a statement about where Namibian hip hop stands and where it’s headed next.
Originating from Johannesburg, The Hip Hop Floor has earned a reputation for spotlighting hip hop in its purest form — rhythm, lyricism, and attitude. This Namibian edition is powered by The Society Nam, the creative collective known for curating distinctive cultural experiences. Speaking to Network Media Hub, Tall Ass Nico from The Society Nam explained that the line-up was crafted with intention and balance in mind.
“We didn’t pull this line-up out of a hat,” he said. “These are the acts who have been consistently pushing hip hop culture. K.O is a legend, dropping classics since the early 2000s and still running the game today. Speedsta has three DJ of the Year titles in SA and is a staple on every big stage. Pair that with local fire like Emmanuel Rose, Solange, Musketeer, Fredy, Bizza, and Wilson — who have been carrying the hip hop sound in Namibia — and you get a mix of icons and rising voices. It’s about the balance between proven heavyweights and our homegrown heroes.”
Nico describes the upcoming experience as “premium hip hop energy.” “It’s not just another gig, it’s curated,” he explained. “From the music to the production, we’re making it feel like a proper cultural moment. Expect vibes that are raw enough for hip hop heads but dressed up in a way that feels luxe and fresh. HHF is something different — and that’s what we specialise in at The Society. We noticed it with Strictly Soul too. People crave different experiences, not always the same thing. Without saying too much, there are some surprises lined up.”
For The Society Nam, connection is a central part of their ethos. While K.O will have limited time in Namibia due to commitments back in South Africa, Nico said the team is making space for genuine creative exchanges. “One thing about The Society — we’re all about connection. K.O will be in and out quickly, but we’ll make sure there’s room for artists to meet, share energy, and maybe spark something. Speedsta is more open to vibing with local talent on the decks. We’re not forcing collabs, but we’re creating the space for them to happen naturally. Those kinds of links are crucial because they put Namibian talent in rooms they’d usually have to fly to Joburg to access.”
When reflecting on the current state of Namibian hip hop, Nico was optimistic. “Nam hip hop is alive,” he said. “You hear it in the slang, the fashion, the confidence. Every festival you pull up at, there’s always a hip hop DJ somewhere on the line-up. Even genres like amapiano and house borrow the swag, the aura, and the storytelling from hip hop culture. The genre might not always dominate charts, but it runs the culture. Events like this prove that hip hop isn’t niche here, it’s woven into how people show up and express themselves.”
For Nico and The Society Nam, The Hip Hop Floor is about more than just a night of music, it’s about legacy. “We’re not throwing a party just for the night; we’re trying to shift the standard,” he emphasised. “Hip hop artists here need platforms that are premium, consistent, and respected. If this event opens the door for more collaborations with South African acts, or inspires local promoters to treat hip hop with the same love they give other genres, then we’ve done our job. Long term, I want people to look back and say The Hip Hop Floor was the spark that showed Namibian hip hop it belongs on a global stage.”
With a line-up that bridges two countries and generations of talent, The Hip Hop Floor is shaping up to be more than just a concert — it’s a statement about where Namibian hip hop stands and where it’s headed next.
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